Edgar Degas
French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
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Edgar Degas Artist-s father oil painting


Artist-s father
mk206 1857 Oil on canvas 53x41cm
Painting ID::  49894 		Edgar Degas
Artist-s father
mk206 1857 Oil on canvas 53x41cm
   
   
     
Edgar Degas a group of Racehorse oil painting


a group of Racehorse
mk206 1868 Oil on canvas 46x61cm
Painting ID::  49895 		Edgar Degas
a group of Racehorse
mk206 1868 Oil on canvas 46x61cm
   
   
     
Edgar Degas Belini Family oil painting


Belini Family
mk206 1858-1867 Oil on canvas 200x250cm
Painting ID::  49896 		Edgar Degas
Belini Family
mk206 1858-1867 Oil on canvas 200x250cm
   
   
     
Edgar Degas Mr Edward and Mis Edward oil painting


Mr Edward and Mis Edward
mk206 1868-1869 Oil on canvas 65x71cm
Painting ID::  49897 		Edgar Degas
Mr Edward and Mis Edward
mk206 1868-1869 Oil on canvas 65x71cm
   
   
     
Edgar Degas Miss Gojelin oil painting


Miss Gojelin
mk206 1867 Oil on canvas 61.2x45.7cm
Painting ID::  49898 		Edgar Degas
Miss Gojelin
mk206 1867 Oil on canvas 61.2x45.7cm
   
   
     
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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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